My Digital Painting Addiction

“Glimmer” done in Corel Painter 2020

I discovered Corel Painter over a decade ago when I was still a tattoo artist. I wanted a faster and easier way to manipulate, twist, and shape my designs, and to be able to present the proposals to my clients mapped onto actual photos of them.

My digitally painted tattoo proposal.
My proposed design in the process of being inked on skin.


I’m not a vector gal. Never have been. Never will be. I’m a painter, an illustrator, a tattooist, and much more. I’m very hands-on. I needed a program that would allow me to use my drawing hand the way that I use it with brushes, pencils and a tattoo gun. Corel Painter is the closest thing to actual painting that I’ve been able to find to this day.

Sometimes I just paint for fun. I created this character just for practice and as a vacation from work.

My first purchase after Corel Painter was a designated drawing screen. I went with a Wacom Cintiq. I use it still.

To transform all of my pen and ink art into colorable adult pages for my newest book Inkandescence, I worked in Corel Painter on a Wacom 24″ drawing monitor.

The first version of Corel that I got was Corel Painter X. I used that version for about eight years before upgrading to CP18, and today I’m enjoying Corel Painter 2020.

“Wish you were here” – one of my first digital paintings done in Corel Painter X

These days I create a lot of line art and grey-scale colorable art for the adult coloring community. Frequently, I actually create a full color digital painting, and then transform it into a coloring page.

One of my recent digital paintings that later became a coloring page

One of my favorite things to paint in Corel is portraits. Here’re some of my latest that I’m preparing for a new Udemy course on skin tones.

My latest portrait work in Corel Painter 2020
Another portrait done in Corel Painter 2020

As much as I love it, I don’t always work on my giant Wacom screen. Some nights I like to curl up on the couch with a cup of tea and an ipad, and work on my designs on a smaller scale.

There’s a popular misconception that making art digitally is somehow cheating. This way of thinking comes from a lack of knowledge. People who are not familiar with digital painting software assume that to create digital paintings we punch in a bunch of computer commands, press some buttons and BOOM – art appears. Nothing could be further from the truth.

When I paint digitally, I use all the same skill sets as I do when drawing on paper, painting on canvas, or inking on skin. What the program does is it gives me a boost in magical powers. For instance, I don’t need to wait for paint layers to dry, yet I can customize my brushes and even pressure sensitivity. I can work on a virtual canvas of any size, while in reality I’m limited by physical space. I can work in media forms that are not available to me in real life. And my ultimate favorite – I NEVER have to clean my brushes.

I started using a painter program when I was already an accomplished artist, as a means to speed up and fine-tune the delivery of my art, so that I can spend more time on the creative process and less time on, well, watching paint dry.

Working digitally did not prevent me from continuing to make classic analog art. I draw and paint daily, and find that the two ways (digital and analog) only strengthen one another.

If you’re a creator, give digital painting a shot. There’re lots of programs out there. Find the one that’s best for you.

INKandescence – my audience reacts

Setting my very personal and vulnerable art, Inkandescence, into the world as an interactive art book was, to say the least, terrifying.

“Lisa, this could be your best book yet. I think it’s genius!” – Dee Myles (fan and artist)

I was fully prepared for trolls, haters, and critics, but am pleasantly surprised by the warm reception.

Dune Dancer colored by Tiffany Kleinsteuber

“I’ve watched you bloom from your very first book all the way through to now. It has been a privilege and a trip to watch and to take part in it. I always knew you were a great artist, but you only grow better! Exquisite art! Bravo Lisa! Bravo!” – Madame Laurie (fan, colorist, art student)

I was also pleasantly surprised by this amazing write-up on my book by Colouring Heaven Magazine. Read article here.

The people who are already coloring the pages, have much praise as well. I found that many colorists enjoy working with colored pencils directly on top of the dark photographs that are featured in the book, while others prefer the grey-scale line art versions of the pages. Likewise, my digital colorists are having a blast.

Inkandescence is available in print as well as a PDF download.

Harebrained colored by Isolina Aviles

I’m a realist though. I fully understand that this book is not for everyone. For some it’s too racy. For some it’s too dark. For some it’s just too detailed. I’ve learned a long time ago that if you try to please everyone, you will please no one.
My aim with Inkandescence wasn’t to release a popular and “safe” book. There’re plenty of those out on the market already. My book is for those who are like me: artistic, daring, different, somewhat on the dark side but not stereotypically gothic, and ultimately positive and energetic.

I’m thrilled that those who don’t fancy this work, just walk on by without leaving hurtful comments, while whose who appreciate the work take the time to let me know.
Granted, it’s only been a week since the book’s release.

I’m thrilled to see how new audiences react in a few weeks when Inkandescence will be reviewed by multiple YouTubers. Stay tuned for those updates and announcements.

Hide and Seek colored by Tiffany Kleinsteuber

Most of all, I enjoy seeing the colorings and reading about your interpretations of my drawings.

I hope to hear from YOU.

Join my free private community TALM, and share your art and thoughts with the rest of us.


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Eye Candy colored by Mel Flay

Stay dark. Stay humorous. Stay positive. These attributes don’t have to be mutually exclusive.

Art, Boobs, and Closure

My new book, Inkandescence, is not for everyone, and that’s just the way I like it.

Harebrained – “If all this stuff in my head was audible instead of visual, it would be very loud in there, all the time.”

This is the first adult coloring book that I didn’t design to be a coloring book from the start. All of the art in this volume is based on the drawings that I did during Inktober 2020, and all were greatly influenced by 2020 itself.

For me, this book is a way of getting closure on this very difficult year and punching my way out of burnout. I hope that my audience also finds comfort and resolution in its pages.

It was a very different experience for me to take my ballpoint pen and ink drawings and transform them into colorable art. It was especially tricky to take the leap of faith and share art that is so personal. After all, none of these images were intended for coloring. They were my way of interpreting the Inktober prompts while dealing with stress, and also practicing my ballpoint pen technique.

In the end, it was a great decision. This is the book that I’m most proud of. Is it perfect? Art never is. But I’ve learned to accept and embrace imperfection, because chasing a flawless outcome is a guaranteed way to never accomplish anything.
It’s honest. It’s beautiful. It gets you thinking, and you can interact with it.

So, how “adult” IS this book?

Watch this behind-the-scenes INTERVIEW and decide for yourself.

“I grew up on classical art. I grew up on marble statues and Michelangelo’s bodies all intertwined. To me, artistic nudity is just natural. It’s obscene that we have to drape our women in drapery, and hide nipples and curves.”

Swing by my private community TALM, and share your thoughts and feelings about this volume, and also show off your colorings.

Get INKANDESCENCE downloadable PDF here

Get INKANDESCENCE in print here